January 12, 2007
(Dispatched via the Babylon 5 Scripts Mailing list)

For those who signed up for the mailing, a bit of an inside update on where things stand on Babylon 5: The Lost Tales (whose production was hailed just this week in the new TV Guide under the "Cheers and Jeers" column) (and yes, we got the "cheer" part of that, wiseass)...I'll be flying back up to Vancouver toward the end of the month to supervise the dialogue looping and to start reviewing the finished CGI shots being created by Atmosphere. We've also designed a brand new title sequence for Babylon 5, which incorporates all of the major characters, and emphasizes the interconnectedness of the characters seen over the show. There will also be a separate set-piece placed just before the main title sequence that will tie back visually to our series finale, "Sleeping in Light," in kind of a tribute to the end of that volume and the starting of this one.

We're also finishing up the director's blogs and behind-the-scenes pieces, which will show Bruce, Tracy, Peter and our new cast members, with the former group commenting on both the future of B5 and their own memories and reflections on Babylon 5. There will also be meditations and tributes to the passing of Richard Biggs and Andreas Katsulas from their fellow cast members.

The director's blogs will follow production from script through prep and shooting...though in some cases with a bit of an unusual approach. (I can never do anything serious with a straight face.) You see, there was something innovative and new and unusual and artsy that I wanted to do with this movie, but did the studio get the majesty, the novelty, the innovativeness of that idea? No, no, of COURSE not. But by gosh you'll get a preview of it here...and the world of SF will never be the same

December 1, 2006
(Dispatched via the Babylon 5 Scripts Mailing list)

As I write this, we have finished principal photography on "Babylon 5: The Lost Tales," coming in under budget and finishing a full day ahead of schedule.

This first DVD, entitled "Voices in the Dark," covers the same 72 hour period of time as Sheridan travels on board a Presidential Cruiser en route to Babylon 5 from Minbar for a celebration marking the 10th anniversary of the founding of the Interstellar Alliance. One part of the story follows Sheridan as he picks up an unexpected visitor on the edge of Centauri space, Prince Regent Dius Vintari, and a warning about what will come afterward delivered by the techno-mage, Galen. The other part of the story is set aboard Babylon 5, as Colonel Lochley summons a priest from Earth space to deal with a problem that may have dark supernatural overtones. The two parts of the greater story intersect at certain key plot and thematic points, so that they overlap and complement each other while telling separate, but simultaneous, stories.

The first DVD is going to require nearly 200 EFX shots, taking us all over Alliance space, and Babylon 5, which is being redesigned using the latest CGI technology. The same CGI is being used to create virtual sets a la Sin City, but on an even more detailed basis, in many cases integrating them with practical sets based on the original blueprint designs for Babylon 5.

A number of behind-the-scenes pieces were shot for inclusion on the DVD, as well as a number of original short pieces that will be filmed in February which feature glimpses into the future of Babylon 5 and her characters.

We have set-up a temporary webpage of photos from the shoot from my personal collection. These images mark the very first photos to emerge from production. [http://babylon5scripts.com/TLT-JMS-photos.html]

For more information, keep an eye on www.babylon5.com as well as Babylon5scripts.com. WB will be integrating the internet as a key component for promoting B5:TLT and we are pleased to be a part of that effort.

Just a quick hello direct from the set of Babylon 5: The Lost Tales. It's 4:51 p.m. and we just finished lunch (crew call at 10 a.m. lunch at 4). Bruce Boxleitner just completed a series of shots in a Starfury, his first time back in the saddle. We're ahead of schedule and might actually wrap filming a day early. (It always goes faster if you don't actually put film in the camera.) We've introduced a new Centauri character -- Prince Regent Vintari, third from the throne -- a new ISN reporter played by Teryl Rothery, a priest played by Alan Scarfe, and a character who may have come too close to certain dark forces played by Bruce Ramsey. Part One of "Voices in the Dark" wrapped on Friday, and we should have part two done tomorrow, after a long sequence shooting in the hallway of a new Minbari Presidential Cruiser built for the Interstellar Alliance.

October 26, 2006

Well, tomorrow I head back to LA for meetings on other projects for two days, then it's back to Vancouver again on Sunday to continue prep. So far everything's laying out very cleanly. We have an EFX house on board now, which was the last big step to be undertaken. It wasn't until the last day or so that we could really get into the CGI issues, which are huge on these stories.

And in regard to that...the initial goal was to try and do three big stories in one DVD. So I wrote three scripts, featuring Sheridan, Lochley, Galen and Garibaldi. (I wanted to focus on the human characters initially so we'd have more time for prosthetics R&D for the next one.) The stories, as noted previously, were huge...all over the map, from Minbar, to Earth, Mars, the future, the distant past, as well as B5 itself obviously. We're also going to be trying some new production technologies, again trying to stay ahead of the tech curve, the way B5 has always stayed ahead on these things.

And over the last few days, as we began to bring on crew and lay out the production, looking at just how complicated these mini-movies were going to be, the idea of making three of these monsters began to become a bit much for us to pull off on out first time out the gate, especially since I'm still kind of new as a director. So we decided to postpone one of the three to the next DVD, and lengthen the other two to make up the difference. GIven that the Garibaldi story was the most complicated visually and technically, also the most difficult from a CGi perspective, that's the one that got pushed until, potentially, next time.

And if the sales are anywhere near what WB expects, and I think they will be, there's no question that there will be more of these down the road. So we're gong to focus in on those two stories and knock them out of the park. Same length, same running time, and now even bigger than at first anticipated since the budget on number three will now be applied to the other two.

Part of what we're doing is to re-think the look of B5 to some degree. The show was created using 1993 technology, video toasters and amigas, and was to some extent limited by the paradigms and production methods we used in that. But it's now 13 years later, and while I will keep the feel of the show the same, and the silhouettes and designs, there's no reason to limit the look of the feel to what we could do six years ago (from when we stopped). So we're going to invest a lot of time, effort and money into really re-imagining some of the visuals at the present level -- looking at shows like Battlestar and the like -- and bringing those tools into B5 while still maintaining the feel of the show.

I also managed to work in a nice nod to Andreas and Richard in the two mini-movies.

So with that...the team is now in place, the last personnel have been hired, and as soon as I get back to Vancouver, I get to take off the producer's hat and put on the director's hat.

jms